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Twelfth Night, or What You Will
Media
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Info
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Title Twelfth Night, or What You Will
Genre Shakespearean Comedy
Website www.myspace.com/theportersofhellsgate
Category Feature Play
Synopsis Shakespeare's comedy of madness, mistaken identity, love, lust, and yellow stockings (cross-gartered). Presented by The Porters of Hellsgate.
Status Released
Release Theatrical
Release Date 04.06.2007
Budget $3,500
   
Cast & Crew
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vision
Director Charles Pasternak
 
talent
Malvolio Charles Pasternak
Sebastian Jeff Holden
Valentine Cameron Pazirandeh
Antonio, Sea Captain Gus Krieger
Fabian Brandon Gilbrech
Maria Taylor Fisher
Sir Andrew Aguecheeck Thomas Bigley
Feste the Clown Eddie Castuera
Olivia Jessica Temple
Sir Toby Belch Jack Leahy
 
shoot
Lighting Board Operator Dylan Vigus
 
sound
'Come Away Death' Pianist Charles Pasternak
'Come Away Death' mixing Jack Leahy
 
art
Set Designer Charles Pasternak
Set Construction & Dressing Dylan Vigus
Image Design Jack Leahy
Set Construction and Dressing Jack Leahy
 
produce
Producer Eddie Castuera
Producer Jack Leahy
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Reviews
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Reader Review... by Charles Pasternak
on 4.17.2007
...from LA Times CalenderLive: RAVE: Very funny and talented cast! I highly recommend seeing this play! (April 16, 2007 - by Rose from Tempe, AZ)
LA Weekly Review by Charles Pasternak
on 4.17.2007
TWELFTH NIGHT, OR WHAT YOU WILL Some bawdy comic bits enliven actor-director Charles Pasternak’s uneven production of the Bard’s comedy. After a shipwreck, Viola (Jai Khalsa) finds herself alone in a foreign land going undercover as a young man, and helps her new employer, Orsino, Duke of Illyria (Bryant Romo), woo the uninterested Lady Olivia (Jessica Kaye Temple). Among the play’s jokes is Olivia’s romantic attraction to the new messenger, as well as a prank on Olivia’s servant, aptly named Malvolio (director Pasternak) that is both well executed and funny. In a pleasant twist, Eddie Castuera underplays the clown Feste while Pasternak hilariously overplays Malvolio. Aside from some pacing problems in Act 1, the main problem with this production is Khalsa’s rather listless performance as Viola, compounded by her occasionally stiff line readings. Nevertheless, the supporting players are excellent, and the nearly bare stage keeps the focus on Shakespeare’s language. (Sandra Ross)