A contemporary updating of the tragic William Shakespeare morality tale, the Declan Adams Theatre presentation of Macbeth contains fine acting as it ponders man's lust for power. In the story, Macbeth (Jeff Holden) plots to usurp Duncan (Megan Morrison) and become the new leader of the land. Death and deviousness achieve his goals, but power is short won. Will the circle begin again? Director Jeff Morris thoughtfully focuses on the plotting power plays of current politicians willing to sacrifice principles and people in their rise to government. Most of Lady Macbeth's part is cut, reducing her to a confused supporting player however. A good strong cast brings the story vividly to life, led by the strong Holden as Macbeth, a tortured, confused mess, appalled and angry at his actions. J.R. Esposito brings intense emotion and expressiveness to the shocked Macduff. Most of the players find a rhythm and natural rendering in the speeches. Contemporary clothes lend a cold, soulless feeling appropriate to the selfish characters. Brian Reindal effectively suggests Washington, DC with a simple rendering of the U.S. Capitol and American flag. Scene changes are sometimes too loud and effects are occassionally out of synch. Macbeth is a thoughtful examination of the coldhearted, scheming nature of American politics.